Mollye Bendell
Assistant Professor of Art at University of Maryland
Mollye Bendell is an interdisciplinary artist with a focus in electronic and immersive media. She has developed augmented and virtual reality projects as a resident of Harvestworks Digital Media Arts Center and the Tides Institute and Museum of Art. She is a founding member of media arts collective strikeWare, which uses new technologies to expose the faultlines in our collective history. In 2020, strikeWare were named Janet + Walter Sondheim Artscape Prize finalists. Mollye has exhibited at CURRENTS New Media Festival, the Lindemann Performing Arts Center at Brown University and the John F. Kennedy Center for the Performing Arts. She is an Assistant Professor of Art at the University of Maryland. Mollye holds a Bachelor of Arts in Sculpture from the Glasgow School of Art and a Master of Arts in Intermedia and Digital Arts from University of Maryland Baltimore County.
Alanna Fields
Photography Lecturer at Howard University
Alanna Fields is a mixed-media artist and archivist whose work both deconstructs and reconstructs Black queer memory and history through a multidisciplinary engagement with photographic archives. Fields received her Master of Fine Art in Photography from the Pratt Institute. She has given lectures at Penumbra Foundation, Aperture, Light Work, NYU Tisch School of the Arts, Parsons School of Design at The New School, Syracuse University and Stanford University. Fields is a Gordon Parks Foundation Scholar and Pollock Krasner Foundation grant recipient, and has participated in residencies at Silver Arts Projects, Light Work, Baxter St. CCNY, Fountainhead Arts, among others. Her work has been commissioned by and featured in major publications, including The New York Times, The Atlantic, Aperture Magazine and FOAM Magazine. Fields is currently at Howard University teaching Photography. In 2025, Fields released her first monograph, “Unveiling,” which spans years of her work on Black queer photographic archives.
Michael Jones McKean
Michael Jones McKean’s artwork explores objects in relation to folklore, technology, anthropology and mysticism. His work engages an interest in deep time, timescales and their collapse, in the process decentering anthropocentric registrations of events and meaning. He is the recipient of numerous awards including a Guggenheim Fellowship, a Nancy Graves Foundation Award and an Artadia Award. McKean has also been awarded fellowships and residencies at The Core Program at the Museum of Fine Arts, Houston; The MacDowell Colony, The International Studio and Curatorial Program in New York City; The Provincetown Fine Arts Work Center, The Bemis Center for Contemporary Arts, and the Sharpe-Walentas Studio Program in New York City. McKean is a contributing editor for Art Papers, the artist-in-residence of the Vera C. Rubin Observatory. He has been an Associate Professor at Virginia Commonwealth University in the Sculpture and Extended Media Department since 2006.